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Film Art: An Introduction
Ebook Free Film Art: An Introduction
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About the Author
Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste(James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
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Product details
Series: Film Art: An Introduction
Paperback: 544 pages
Publisher: McGraw-Hill Education; 10 edition (July 6, 2012)
Language: English
ISBN-10: 0073535109
ISBN-13: 978-0073535104
Product Dimensions:
8.5 x 0.7 x 10.8 inches
Shipping Weight: 2.8 pounds
Average Customer Review:
3.8 out of 5 stars
188 customer reviews
Amazon Best Sellers Rank:
#30,355 in Books (See Top 100 in Books)
Students who are going through a course SHOULD NOT buy this Kindle book. It DOES NOT include Connect content which has many items professors will refer to. Get it directly from the publisher's site instead. If you've already bought it you can return it though even if it's beyond the 7 day return period if you contact them through chat and mention the false description that says it includes access to multimedia Connect content.
It's all right. A little more simplistic than I'd like, but it's meant to be a broad introduction and that's what it is. I understand this is a pretty well-regarded textbook. Includes great full-color stills from both classics and newer films. I would say the main difference between this and other editions (I also own the 6th edition) is that some of the examples in the tenth edition are taken from newer films than those in the sixth edition.
I had to buy this book for a class, and I have found it to be exceptionally organized and extremely useful for theory. If I were to teach a film class tomorrow, this book would be on my syllabus.
There is and was so much I did not know about film until this class, and this text book. I love it, I am not taking the class anymore and I did not have to read much out of the book but I read the whole thing. I absolutely recommend keeping if you plan on working in the film industry. It does blow your mind.
This was a requirement for my first film class, but older editions without the online code are cheap enough now that I'd recommend it even for a reference or a summer read for someone who loves movies or film making.It covers editing, photography, filming, lighting, set, acting, directing, roles on a film set, industry basics...everything.I even bought a new copy as a gift for an art-loving friend and she LOVED it.
I ended up not taking the class that required this book, but it would've been exactly what I needed. I hope to take it in the future. It is very informative. There's a lot more aspects that I had not thought before.
When I got this book it was around $60 on amazon to buy, and at my school's bookstore they were selling it for $150-$200. This was one of the most effective purchases I have ever made, not only for the price but the extremely extensive and real life information this book provides. Perfect for a first year film student, or anyone curious in the art.
Great book, very informative and easy to understand! Although the condition I got it in wasn't ideal (I had to put a protective cover on it), it came really quickly and useful for any film classes (theory or studio).
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